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NORVINZ FR PROFILE
Peter W., Professional Musician
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  System

Analog: Merrill-Scillia MS2 Turntable, Fidelity Research FR64S Arm, Benz Ruby H Cartridge
Digital: Electrocompaniet EMC-1UP 24/192 CD player
Preamp:
Rowland Consonance Preamplifier with Phono
Amplifier: Sonogy Black Knight II JFET Amplifier
Speakers:
Auvia Candor II Floorstanding dynamic speakers (prototype, never produced)
Cables: Cardas Phono Cables, Anti-Cable line interconnects, Wireworld Eclipse 5 Speaker Cables
Power Conditioner: PS Audio Premier

Norvinz Q & A

Q. What do you like best about your system?
A. It is engaging. It makes me want to listen more. It covers the full frequency spectrum convincingly: rich and full on the bottom, extended yet very smooth at the top. It sounds like what I am used to hearing in the concert hall. And it does this at any dynamic level, even very loud. Live music is often shockingly loud. A system that can't duplicate that is of little interest to me.

Q. What do you like best about the Norvinz products you own?
A. I was losing interest in audio as a hobby until I heard a Merrill Scilia turntable. It was a shock that I could be so drawn in by a single component. It was beyond satisfying. That turntable is a work of art unto itself, while never imposing its own signature onto the musicians' recorded art. Quite a feat.

Q. What is your regular profession and why did you decide to become a Norvinz FR?
A. I'm an orchestral musician who has toured and performed with the New York Philharmonic, the Philadelphia Orchestra, and many others, with the finest conductors and soloists alive. I occasionally cross over into the pop realm. I wanted to be in business with Norvinz because I know and respect the people involved, and because I wanted to be part of this venture. The products are truly exciting and the people are top notch.

Q. What, in your opinion, is your best qualification to be a Norvinz FR and to serve the Norvinz customer?
A. Nothing, except my ears and my honesty. I barely know a proton from an electron, but I know when a system sounds like live music. My technical ignorance makes me immune to fake specs and hype. Sound and musicality are the only things I can really talk about, and I think that's a good way to approach audio from the consumer side.

Q. How did you become a Norvinz FR?
A. I was lucky to be in the room with Vinh the very first time the MS21 played a record, and I wanted to be part of bringing this astonishing family of products to as many listeners as possible.

 
   
       
   


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